Daniela Mazzucato
- Gasparina
One of the most prominent performer of the past thirty years. Light-Lyric soprano
of extremely flexible and versatile vocal artistry, she arranged her repertoire that ranges from Baroque (Handel, Cesti, Scarlatti, Cavalli,
Landi) to Mozart and Donizetti’s leading roles. The great stage presence has also
ensured her huge success in the operetta repertoire. She sang at the Royal Opera
House Covent Garden in London, the Paris Opera, the Hamburgische Staatsoper, the
Arena in Verona, the Teatro San Carlo in Naples, the Opera in Rome, at the Festival
Dei Due Mondi in Spoleto, at the New Israeli Opera Tel Aviv, at the Glyndebourne
Opera Festival, as well as in Frankfurt, Bordeaux, Marseilles and Ottawa. In the past seasons Mrs. Mazzucato gained huge success as Gasparina,
role she had sung in Tokyo, Bologna and on tour in Italy.
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Max René Cosotti - Dona Cate Panciana
Appreciated for his performing outstanding qualities, he has been on the music
scene for over thirty years collaborating with the major Italian and foreign
theaters and festivals (Venice, Naples, Trieste, Turin, Rome, Palermo, Verona,
Cagliari, Florence, Toulouse, Tel Aviv, Glyndebourne, Salzburg). In recent
seasons he appeared as Dr. Cajus (Falstaff) in Cleveland, Lucerne, Berlin
and New York, in the role of Emperor Altoum (Turandot) at the Terme di
Caracalla in Rome, at the Teatro Regio di Parma and the Teatro San Carlo in
Naples, in The Merry Widow (Raoul de St. Brioche) at Teatro Petruzzelli
in Bari. Mr. Cosotti has recently performed Il Campiello in Venice and Treviso
and in the past seasons in Tokyo, Bologna and on tour in Italy. He won numerous
lyric contests, including the As.Li.Co. Competition in Milan and the Verdi
Competition in Busseto. Plans include Turandot at the Terme di
Caracalla in Rome.
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Clemente Antonio Daliotti - Cavalier Astolfi
Young and promising Italian baritone, Clemente Antonio Daliotti graduated in singing
at the “G. Martucci” Conservatory in Salerno. He then attended the Rossini Academy
in Pesaro under the guidance of Alberto Zedda and the Academy of Santa Cecilia in
Rome, studying with Renata Scotto, Cesare Scarton and Anna Vandi. A winner of the
International Contest Tito Schipa in Lecce (2012), he performed L’Elisir d’amore (Dulcamara)
in Lecce. After his debut as Fiorello in Il Barbiere di Siviglia in
Bari (under Lorin Maazel), in Pesaro (under Alberto Zedda) and as Haly in L’Italiana
in Algeri in Bologna, Clemente Antonio Daliotti starred in the first
modern revival of Spontini’s La Fuga in Maschera in Jesi (under Corrado
Rovaris) and then at the Teatro San Carlo in Naples. He also sang Pallante in Handel’s Agrippina at
the Festival International Musique Baroque de Beaune under Federico Maria Sardelli,
then he performed Taddeo in L’Italiana in Algeri in Catania, Schaunard
in La Bohème in St. Margarethen, Guglielmo in Così fan Tutte in
Sassari, Dandini in La Cenerentola in Treviso and Ferrara; a new
production of Wolf-Ferrari’s Il Campiello for the season’s opening
of the Opera di Firenze; and the world premiere of Battistelli’s Il Medico
dei Pazzi in Nancy, a production that will be revived at the Teatro
La Fenice in Venice. In the next months he will also be engaged in La Cenerentola
in Pinerolo.
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Francesco Cilluffo - conductor
Conductor and composer, he graduated from the Turin Conservatoire, the Guildhall
School of Music and the King’s College in London. Among his most notable appearances
as conductor: Zemlinsky’s Der König Kandaules at the Teatro Massimo
in Palermo; a cycle of concerts with the Orquesta Filarmónica de Santiago (Chile);
Mozart’s Requiem (Levin edition), Duruflé’s Requiem op. 9 and
Shostakovich’s Symphony no. 14 with the Orchestra Filarmonica di Torino
(in the framework his 3-year long collaboration with the orchestra); Verdi’s Il
Trovatore for the As.Li.Co.; a concert tour with the Orchestra del
Teatro Lirico in Cagliari; concerts with the ORT-Orchestra della Toscana and Cinzia
Forte. He obtained a great success conducting Cilea’s L’Arlesiana for
the opening of the 2013-2014 season of Teatro Pergolesi in Jesi (soon to be released
in CD and DVD by Dynamic). He then conducted: a Verdi Gala at the Tchaikovsky Concert
Hall in Moscow with the soloists and the orchestra of the Galina Vishnevskaya Opera
Centre and at the Teatro Regio in Parma; Mascagni’s Cavalleria rusticana at
the Nuovo Teatro Comunale in Sassari; a new production of Rossini’s Tancredi for
the Circuito Lirico Lombardo (Pavia, Cremona, Como and Brescia), featuring the Orchestra
I Pomeriggi Musicali; a new production of Rossini’s La Cambiale di Matrimonio at
the Teatro Regio in Parma and in Reggio Emilia; Il Barbiere di Siviglia at
the Teatro Carlo Felice in Genoa; a new production of Wolf-Ferrari’s Il Campiello for
the season’s opening of the Opera di Firenze; L’Elisir d’amore for the opening
night of the season at the Teatro Regio in Parma and at the Teatro Comunale in Modena.
Future engagements include: the world première of Marco Tutino’s opera Le
braci (based on Sándor Márai’s novel Embers) directed by Gabriele Lavia
at the Festival della Valle d’Itria, Martina Franca, and then at the Maggio Musicale
in Florence; a new production of Mascagni’s Gugliemo Ratcliff at
the Wexford Festival Opera; La Traviata at the Opéra Royal de Wallonie
in Liège.
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Teatro Verdi
Trieste
April 9th, 2015
April 11th
April 12th
April 17th
April 18th
April 19th
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